The Orphaned Spaces is a rumination on life and loss through the prism of liminal spaces – derelict land, brownfield sites, edgelands – caught between moments of dilapidation and regeneration.
The Orphaned Spaces project was meant to be a small artistic endeavour. Our original idea for The Orphaned Spaces was to have a brown paper bag containing fragments of writing, the odd drawing and some landscape photography, all loosely themed around ‘waste ground’. About a month in however, it had already started to take on a life of its own. As is the way of things, it escalated into something bigger, encompassing a 148-page book and handmade book box set.
The Orphaned Spaces features exquisite words and visceral landscape imagery from MW Bewick and my quick brush sketches that I spoke about in this previous post. Both the book and the box set also include fine line botanical and insect studies in black and white (see below), ikebana-inspired still life plant photography plus wild flower pressings, all created by me.
The black and white studies were created with fineliner pigment ink pens.
I’m really pleased with the botanical photography aspect of the book – you can read more about it here
I’m also delighted with the way my wildflower pressings came out. I used to press wild flowers and plants with my mum when I was kid, so I wanted this aspect to be in the book as I felt it needed a child-like, playful aspect to it. Actually as it turned out I think in some ways these illustrative elements are the most plaintive and poignant images of the publication – they are particularly effective as the archival prints featured in the box set but that’s worthy of another post.
I’ve recently launched a whole new collection of illustrated bird prints now available on my Etsy and Folksy shops.
I really enjoyed drawing this wren – I created it using new uni-pin sepia pigment ink pens on watercolour paper. This delicate avian illustration is then scanned and printed as a fine art print on archival paper ensuring that it will last a lifetime.I originally created the watercolour and ink Peacock artwork for an exhibition. The artwork showcases vivid blue, pea green and violet watercolour washes combined with shimmery golden POSCA pen washes. I then overlaid the painting with pigment ink pen. My golden plover drawing was originally created for the book The Migrant Waders, published by Dunlin Press. It was one of my favourite illustrations and I love looking at it, so I had to turn it into a print. Again this is printed on high quality archival paper so it will last a lifetime.
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.
The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Watch this space for more updates.
Welcome to my latest obsession; joyous, joyous house plants! I love them. They provide a great eco-friendly home update (they’ve brightened up our battered old piano and bright white sideboard), they look amazing and will lift your soul – I promise.
They have also brought out my nurturing side – I’m not ashamed to admit that I talk to our growing green housemates and it’s very therapeutic. I’ve bought a leaf mister – an object not on my radar five years ago – and I got a dedicated house plant watering can for my birthday this year. So what do I like about house plants? As you know I’ve been banging on about the benefits of greenery and nature for years. I love the organic, wild(ish) element that they give to my home. It swells my heart to watch our plants grow, especially as they are all quite easy to maintain and look after – although I admit I’ve had some neglect/kill with kindness-related fatalities.
I’m constantly adding to my home jungle. At the moment, I’ve got Monstera deliciosa, Castanospermum Australe (Jack’s Beanstalk), Dracaena marginata (Madagascar Dragon Tree), Chamaedorea (mountain palm), Sword Fern, Sanseveria (Mother-in-law’s tongue), Fittonias, Aloe Vera and some succulents. I’ve been very successful with the monsteras (touch wood), had mixed results with the fittonias (I think I transplanted them too early), I have an on-going struggle with succulents but have managed to keep it together with the aloes (so low maintenance it’s unreal).
What are my top house plant tips? Hmm not sure really, I’m certainly no expert. I’ve got most of the plants in rooms at the back of the house where they will get the most light. I don’t have a strict timetable when it comes to watering – I’ve had so many over-watering incidents in the past that now I tend to go by feel (using my fingers to assess the dryness/dampness of the soil, checking the leaves and stems). Obviously I’ve found myself giving the monstera, dragon tree and mountain palm more of a drink in the summer months but I don’t have any hard and fast rules.
Have you got bitten by the house plant bug? Can you recommend anywhere to get some good large(ish) pots? Give me a shout and let me know.
My October drawing of the month is of a flying dunlin.
As the co-founder of Dunlin Press this bird is particularly important to me and Dr B. We are very fond of these birds, very soon they’ll be scuttling around in the mud on Wivenhoe quay.
I’ve been drawing dunlins for a little while now, and even have a print of another dunlin drawing available on Folksy, but I’ve never attempted to draw a flying dunlin before. They are quite magical when they fly. I normally spot these wading birds in groups scurrying around on the mud as the tide is coming in during twilight so it’s quite hard to see them at first. You can just about detect them by a little flash of white on their bellies. It’s only when they fly do you see them fully as the white plumage underneath their wings catches and twinkles in the moonlight, it’s lovely.
I created this illustration with washes of watercolour and picked out the details with a uni-pin fine line pen, you can see me adding some detail in the video below…
It’s mid-September, our house has been battered by East Anglian, River Colne winds and we’re preparing for autumn. Still our dahlia’s thrive – how’s that for a bit of Monday motivation?Dr B has planted loads of different varieties of this fabulous flower in various shades of pink, red and orange so even as we move out of summer, the garden is a real riot of colour.
As well as their impressive, vibrant hues and voluptuous shape, these blooms are so wonderful as you can keep cutting them to display and it just makes the plant even more abundant. Every week we get a fresh homegrown floral display that brightens up our rooms – I hope it’s brightened your Monday.
This week’s drawing of the week is of a Red Admiral butterfly.
With the snazzy latin name of Venessa Atalanta (I think I may employ this as a pseudonym at some point), this beautiful creature is coming to a garden or woodland near you! (That’s if you live in the British Isles of course).
This beauty will be part of my every growing illustrated butterfly guide, I’ve got quite a collection of watercolour and ink butterflies now, I’m just trying to decide on which illustrations make the final cut. I’ll show you the finished piece soon.
This stone curlew looks so grumpy I had to make him my drawing of the week.
I became fascinated with Stone Curlews after watching Springwatch a few years back where one was brooding her chicks – I was rooting for the whole family.
They are quite rare in the UK, visiting occasionally in areas such as Norfolk and Wiltshire. They are not related to our long-billed friends the curlew, but they do have a similar call hence the name. See that big yellow eye? That’s because this fella is mainly active at night and that peeper helps him see in the dark.
As usual I created this illustration using watercolour and ink with a combination of broad and fine tips to capture the variation in texture. I wanted to keep the bird drawing quite scruffy, depicting him as if he’d just been discovered foraging among the rocks and stones.
This time my drawing of the week is of a very happy yellow budgie.
I do tend to anthropomorphise the subjects of my drawings particularly my bird portraits as I do find a very deep connection with the animals in my illustrations. I suppose I can’t help but be sentimental about this guy in particular as my sister had budgies as pets.
But it’s true of all of my creature illos; when you spend the time with them that I do studying and scrutinising every feature, you can’t help but feel closer to your subjects. I admit that after many sessions with my watercolour and ink to create each drawing I probably imbue my animals with qualities they don’t really have.
For example I think this yellow fella is smiling at us – he just looks so cheekily delighted with himself.
An everlasting display is a lovely thing plus a cheap and easy home hack to boot.
Regular visitors to Ella’s place know how much I love creating floral displays – they are a lovely way to give the place a refresh without costing you a fortune. Plus I think it’s important to bring elements of nature into your home.
Eucalyptus and thistles are great to buy fresh and then let them dry in the house. The make a lovely permanent arrangement as they fade into silvery tones and provide a lovely structured display.Last summer I also gathered spent allium and poppy heads from the garden to decorate our spaces. Again, the faded hues and structured shape look really effective all year round.