Brush-drawn faces #inktober

This year I decided to take part in Inktober. In typical Ella style I haven’t followed the #inktober drawing prompts. However I have enjoyed taking part in the art challenge, particularly my black and white brush-drawn faces.

ink face ella johnston

As regular readers of this blog will know I am hugely influenced by Matisse and Japanese brush drawings. So this is me working through my influences and trying new drawing techniques and styles.

ink face ella johnstonI feel a bit indulgent creating these face drawings. I love using a Japanese calligraphy brush with this free flowing Indian ink. I really enjoy the easy curves and marks this brush makes. However I’m aware I need to develop my own style. It’s a really stage in developing new work.
ink face ella johnston

New book illustration project: Lessons for an Apprentice Eel Catcher

Cover, Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.
Cover, Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.

I’m excited to tell you about new book illustration project with Dunlin Press: Lessons for an Apprentice Eel Catcher, by Alex Toms. The debut poetry collection launches on Thursday 11th October 2018 and the words inside it are simply stunning.

Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.
Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.

We already had beautiful photography from MW Bewick for the poetry book but we wanted an illustrative element too. In illustrating this book I really wanted to do the poems justice. I was mindful not to interfere with the reader’s experience of the words by being too literal in my illustration. My work had to convey a mood and atmosphere while allowing the amazing imagery that Alex creates to breathe.

Lessons for an Apprentice Eel Catcher, Alex Toms
Lessons for an Apprentice Eel Catcher, Alex Toms

When approaching this illustration commission I do what I always do, go back to my art history books and my old sketchbooks. My studio is packed with sketchbooks and folders stuffed full of experiments and ideas that I’ve parked for later and my ever-growing art book collection is a constant resource. Alongside a scrapbook of cut-out collages I did about 10 years ago when I was hungover in my art studio in Tottenham (never throw away your sketchbooks kids), a book on DADA and a book on Matisse’s cut-outs, the visual concept for “Eels” was born.

Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.
Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.

I love paper cuts,  I could swear I love them so much but I have never found a way to incorporate paper cuts into a project. Seeing my old scrapbooks and work by very different artists using cut-up and collage techniques freed me to create something visceral, with a sense of movement, depth and physicality that is so alive in Alex’s poems.

Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.
Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.

Originally I had little, delicately trimmed paper shapes on painted backgrounds but everything seemed too polite and restrained. So I went big and got to work drawing with scissors on A2 and A3 black matte paper, creating lots and lots of rough eel, sea kale and old fashioned eel catcher net shapes.

Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.
Inner paper cut illustrations for Lessons for an Apprentice Eel Catcher, Alex Toms. Published by Dunlin Press.

I then arranged the shapes randomly on a large piece of card, set-up my camera and tripod over the card, and made a series of compositions with the cut out paper. The results were exactly what I wanted.

The book launches on Thursday 11th October 2018 and you can pre-order it HERE

Bookmaking how to: The Orphaned Spaces

You know last week I told you about the Dunlin Press Waste Ground Project I was working on? Well, here are two short book-making how to films as a sneak peek on what’s to come…

These videos show you how I created our hand-stitched book of photography depicting botanical still lives of plants collected from brownfield sites and a pamphlet of black and white sketches also created by me. This book will form part of a limited edition box set.

The Orphaned Spaces is the culmination of a multimedia collaboration by independent publisher Dunlin Press. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

New work: Bird prints

A3 Limited Edition Wren Giclee Print (c) Ella Johnston

I’ve recently launched a whole new collection of illustrated bird prints now available on my Etsy and Folksy shops.

A3 Limited Edition Wren Giclee Print (c) Ella JohnstonI really enjoyed drawing this wren – I created it using new uni-pin sepia pigment ink pens on watercolour paper. This delicate avian illustration is then scanned and printed as a fine art print on archival paper ensuring that it will last a lifetime.A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonI originally created the watercolour and ink Peacock artwork for an exhibition. The artwork showcases vivid blue, pea green and violet watercolour washes combined with shimmery golden POSCA pen washes. I then overlaid the painting with pigment ink pen.
A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonMy golden plover drawing was originally created for the book The Migrant Waders, published by Dunlin Press. It was one of my favourite illustrations and I love looking at it, so I had to turn it into a print. Again this is printed on high quality archival paper so it will last a lifetime.
A4 Limited Edition Golden Plover Giclee Print (c) Ella Johnston
A4 Limited Edition Golden Plover Giclee Print (c) Ella JohnstonGolden Plover illustration work in progress (c) Ella Johnston

New illustration project: The Waste Ground

Black and white wild flower sketches (c) Ella Johnston
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.

Black and white wild flower sketches (c) Ella Johnston

The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

Black and white wild flower sketches (c) Ella Johnston
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
Black and white wild flower sketches (c) Ella Johnston
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Black and white wild flower sketches (c) Ella Johnston
Watch this space for more updates.
Black and white wild flower sketches (c) Ella Johnston
Black and white wild flower sketches (c) Ella Johnston

New botanical print; Juniper berries

Work in progress Juniper watercolour and ink drawing (c) Ella JohnstonThis is my new botanical print, juniper berries illustrated in watercolour and ink. A perfect gift for gin fiends!A3 Limited Edition Juniper Giclee Print (c) Ella JohnstonI’ve been producing a lot of new work recently and I’m going to get into the habit showing some of it to you on a regular basis. This juniper berries drawing was really fun to do – I love its needles (something I’m not too familiar with in terms of illustration) and its juicy berries.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston
The new art print is available on my Etsy shop.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston

Did I tell you I was on Create & Craft?

Yes, Ella doing the live TV stuff again – I thought I’d left that behind from my Restaurant Mag days. Anyway in April I did an hour’s live show with the very lovely Ben Moseby as brand ambassador for POSCA pens. It was great fun and everyone at Create and Craft made me feel really relaxed and welcome. Here’s some of Ben’s pics from behind the scenes…

Ella Johnston Ben Moseby Create and Craft
Me and Ben – pals
Customised leather jacket with POSCA by Ella Johnston
A little leather jacket I pimped with POSCA
Items decorated with POSCA by Ella Johnston
All decorated by me with POSCA pens

And here’s a closer look at some of the stuff I made for the show (pics by me this time).

Funky wellies decorated with POSCA pens by Ella Johnston
Funky wellies decorated with POSCA pens
Pimped POSCA display by Ella Johnston
Pimped POSCA display
Purse and water bottle pimped with Posca by Ella Johnston
Purse and water bottle pimped with Posca
Poly shapes marbled with metallic POSCA by Ella Johnston
Poly shapes marbled with metallic POSCA

HOME sign decorated with POSCA by Ella Johnston
HOME sign decorated with POSCA

Flamingo votives decorated with POSCA  by Ella Johnston
Flamingo votives decorated with POSCA

Joyous, joyous house plants!

Welcome to my latest obsession; joyous, joyous house plants! I love them. They provide a great eco-friendly home update (they’ve brightened up our battered old piano and bright white sideboard), they look amazing and will lift your soul – I promise. 

They have also brought out my nurturing side – I’m not ashamed to admit that I talk to our growing green housemates and it’s very therapeutic. I’ve bought a leaf mister – an object not on my radar five years ago – and I got a dedicated house plant watering can for my birthday this year.
I love house plants. Photo (c): Ella JohnstonSo what do I like about house plants? As you know I’ve been banging on about the benefits of greenery and nature for years.  I love the organic, wild(ish) element that they give to my home. It swells my heart to watch our plants grow, especially as they are all quite easy to maintain and look after – although I admit I’ve had some neglect/kill with kindness-related fatalities.

Houseplants (c) Ella Johnston ellasplace.co.ukI’m constantly adding to my home jungle. At the moment, I’ve got Monstera deliciosa, Castanospermum Australe (Jack’s Beanstalk), Dracaena marginata (Madagascar Dragon Tree), Chamaedorea (mountain palm), Sword Fern, Sanseveria (Mother-in-law’s tongue), Fittonias, Aloe Vera and some succulents.
I love house plants. Photo (c): Ella Johnston I’ve been very successful with the monsteras (touch wood), had mixed results with the fittonias (I think I transplanted them too early), I have an on-going struggle with succulents but have managed to keep it together with the aloes (so low maintenance it’s unreal).

What are my top house plant tips?  Hmm not sure really,  I’m certainly no expert. I’ve got most of the plants in rooms at the back of the house where they will get the most light. I don’t have a strict timetable when it comes to watering – I’ve had so many over-watering incidents in the past that now I tend to go by feel (using my fingers to assess the dryness/dampness of the soil, checking the leaves and stems). Obviously I’ve found myself giving the monstera, dragon tree and mountain palm more of a drink in the summer months but I don’t have any hard and fast rules.

Have you got bitten by the house plant bug? Can you recommend anywhere to get some good large(ish) pots? Give me a shout and let me know.

Christmas Kids Craft: Super Easy Baubles

Looking for something to do with the kids during the festive break? How about some Christmas craft and get them to whip up some decorations for next year with this super easy set of bauble designs?

I guarantee you, these designs are really easy to recreate, I know this because I’ve road-tested them with the most discerning and special of audiences.

Last week, for the second year in a row, I had the privilege in taking part in the Great Ormond Street Children’s Christmas Party along with my friends at Uni-ball.

My brief was to give the children (patients and their siblings) plus their parents or carers (and any passing celebrities) a project they could do with Posca marker pens that they can take away as a keepsake of the event.We needed something cheap, relatively quick and accessible to all. I had to use my skills to think of a project that could be taken away without fear of breakage (this is a very special party for the families and, although we needed it to be affordable as we were doing two parties a day and entertaining a lot of children, we wanted to give them something that could be easily taken home and treasured).

I came up with a wooden bauble craft project idea as Poscas work really well on wood. Not only could the bauble be slipped into a bag without creating too much bulk or wrapping up but I also thought about it becoming a family treasure, you know part of that much loved box of Christmas decorations that come out every year.

This was not the time to show-off my drawing abilities. I didn’t want anyone to walk away from my table feeling they couldn’t make something lovely. While everyone was free to scribble, daub and scrawl and generally do their own thing on the shapes if they wished, I also created some easy to copy festive designs (you know the kind of thing, Christmas puddings, reindeers, glam penguins, fat robins, snowmen, Santa and the odd fox). Look closely and you’ll see all of these bauble motifs are just made up of very simple shapes, lines, dots and colours, and all of them can be completed in three, sometimes four, very easy stages (great for impatient little and big ones).

What’s great is that my plan worked, it was a joy to see tiny hands create these designs with ease (they were sometimes better than my originals) and a delight to see joyous faces (young and ‘older’) so clearly pleased with their illustrative accomplishment.

If you fancy trying these out then you can get packs of the wooden baubles at Amazon and a bumper set of Posca pens at Cult pens.

Pick of the Pins: Lucy Tiffney Mural

Pick of the pins Ella Johnston
I’ve been itching to share this pick of my pins this week. Lucy Tiffney’s murals are a constant inspiration but this particular illustration created for Care UK, Oxford really impressed.

I think this example exemplifies Lucy’s illustrative style; simple, structural and striking. It communicates the essence flowing energy and lightness of the plant’s leaves contrasted with the weight of the pot. Her colour choice is always spot-on and her simple composition is one to be admired and taken note of. She has inspired me to explore some large scale work of my own.

See more of Lucy Tiffney’s work on the following channels…

Instagram: @lucytiffney

Website: lucytiffney.com