New book illustration: The Orphaned Spaces

The Orphaned Spaces front cover, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces front cover, illustration and design by Ella Johnston (c) Dunlin Press

Last month, Dunlin Press launched its new book, The Orphaned Spaces; a collaboration with featuring illustration from myself and words from poet MW Bewick

The Orphaned Spaces, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces, illustration and design by Ella Johnston (c) Dunlin Press

The Orphaned Spaces is a rumination on life and loss through the prism of liminal spaces – derelict land, brownfield sites, edgelands – caught between moments of dilapidation and regeneration.

Wild flower pressings. The Orphaned Spaces, illustration and design by Ella Johnston

The Orphaned Spaces project was meant to be a small artistic endeavour. Our original idea for The Orphaned Spaces was to have a brown paper bag containing fragments of writing, the odd drawing and some landscape photography, all loosely themed around ‘waste ground’. About a month in however, it had already started to take on a life of its own.  As is the way of things,  it escalated into something bigger, encompassing a 148-page book and  handmade book box set.

The Orphaned Spaces, photography, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces, photography, illustration and design by Ella Johnston (c) Dunlin Press

The Orphaned Spaces features exquisite words and visceral landscape imagery from MW Bewick and my quick brush sketches that I spoke about in this previous post. Both the book and the box set also include fine line botanical and insect studies in black and white (see below),  ikebana-inspired still life plant photography plus wild flower pressings, all created by me.

Green Malachite Beetle, black and white fine line insect illustration. Ella Johnston
Green Malachite Beetle, black and white fine line insect illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Scarce Emerald Damselfly, black and white fine line insect illustration. Ella Johnston
Scarce Emerald Damselfly, black and white fine line insect illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston

The black and white studies were created with fineliner pigment ink pens.

Ikebana-inspired botanical photography, (c) Ella Johnston/Dunlin press
Ikebana-inspired botanical photography, (c) Ella Johnston/Dunlin press

I’m really pleased with the botanical photography aspect of the book – you can read more about it here

Wild flower pressings, The Orphaned Spaces. Dunlin Press
Wild flower pressings, The Orphaned Spaces. Dunlin Press

I’m also delighted with the way my wildflower pressings came out. I used to press wild flowers and plants with my mum when I was kid, so I wanted this aspect to be in the book as I felt it needed a child-like, playful aspect to it. Actually as it turned out I think in some ways these illustrative elements are the most plaintive and poignant images of the publication – they are particularly effective as the archival prints featured in the box set but that’s worthy of another post.

Wild flower pressings, The Orphaned Spaces. Dunlin Press
Wild flower pressings, The Orphaned Spaces. Dunlin Press

New illustration project: The Waste Ground

Black and white wild flower sketches (c) Ella Johnston
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.

Black and white wild flower sketches (c) Ella Johnston

The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

Black and white wild flower sketches (c) Ella Johnston
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
Black and white wild flower sketches (c) Ella Johnston
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Black and white wild flower sketches (c) Ella Johnston
Watch this space for more updates.
Black and white wild flower sketches (c) Ella Johnston
Black and white wild flower sketches (c) Ella Johnston