The Orphaned Spaces box set

The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.
The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.

Last week I told you about my new illustrated book (with MW Bewick), The Orphaned Spaces published by our indie publishing company Dunlin Press, well here is the box set.

The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.
The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.
The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.
The Orphaned Spaces box set. Featuring postcards, hand-stitched books, seeds, reliquary, archival prints.

The Orphaned Spaces  box set is such an undertaking of work that I had to give it a separate post.

When working on Dunlin Press projects,  we’ve often described each book as ‘time capsules’. We aim for every publication to embody the mood and spirit of a place or region at a particular period of human history – like pressing a pause button or taking a picture. The Orphaned Spaces box set is a physical manifestation of this concept.

Hand-stitched still lives booklet
Hand-stitched still lives booklet
Limited edition postcards, reliquary, seeds and archival prints. The Orphaned Spaces Box Set
Limited edition postcards, reliquary, seeds and archival prints. The Orphaned Spaces Box Set

This highly limited edition, made-to-order box set, deconstructs the book The Orphaned Spaces, breaking it down into hand-stitched booklets, postcards, archival prints and a reliquary.

The box set contains the following elements:

1: Hand-stitched ‘Journal’
Coverstock: G.F SMith, Colorplan, fuchsia pink, 270gsm. Inset pages: G.F SMith, Colorplan, dark grey, 135gsm. Inner pages: ZANDERS ZETA, Unwatermarked Textured Paper, linen 100gsm,
2: Hand-stitched black and white studies booklet
Paper stock: Hahnemühle, Photo Rag, matte smooth, 188gsm
3: Hand-stitched wild flower still lives booklet
Paper stock: Hahnemühle, Photo Rag, matte smooth, 188gsm
4: 10 pressed plants fine art giclée prints
Printed on archival Hahnemühle, Photo Rag, bamboo, 290gsm
5: Six landscape postcards
6: A glass bottle ‘reliquary’
7: Wildflower seeds include a mixture of annual and perennial wildflower species and grasses.
8: Bookmark using G.F SMith, Colorplan, dark grey, 135gsm

The Orphaned Spaces box set includes three individually hand-stitched books and archival prints plus seeds and reliquary
The Orphaned Spaces box set includes three individually hand-stitched books and archival prints plus seeds and reliquary
The Orphaned Spaces box set includes three individually hand-stitched books and archival prints plus seeds and reliquary
The Orphaned Spaces box set includes three individually hand-stitched books and archival prints plus seeds and reliquary

I’ve really made use of the 2010 Central St Martin book-binding summer course I attended during the past eight years. The box set features three hand-stitched booklets all bound by me. I really enjoy book-making so, what would feel like hard work for some feels like a kind of zen meditative process for me.

Making the hand-stitched books for The Orphaned Spaces.
Making the hand-stitched books for The Orphaned Spaces.
Making the hand-stitched books for The Orphaned Spaces.
Making the hand-stitched books for The Orphaned Spaces.

You can buy the box set or the book at the Dunlin Press shop.

National Stationery Week: Oh how I love postcards #natstatweek

National Stationery Week PostcardsMore National Stationery Week (#natstatweek) joy from me today. I thought I’d share my love of postcards.

This passion for postcards has been going on for some time. I bought my first set (Vincent Van Gough’s Sunflowers, Picasso’s Fruit Dish, Bottle and Violin,   Henry Rousseau’s Surprised and Monet’s Water-lily pond if you’re interested) when I went to the National Gallery with my dad when I was about nine.

I’ve been collecting postcards in earnest ever since I was a teenager when I used to gather loads from the Tate (it was just the one in London then) and the National galleries when doing my art project research. I obsessively collected and displayed black and white portrait postcards of pop stars, movie icons and various writers, artist and bohemians through history in my bedroom at home. Then I used postcards, gig flyers and magazine pages to decorate every student flat I lived in (and some that I didn’t). Even when Dr B and I had our first tiny studio flat, we went up-market and put them in those ubiquitous Ikea wooden frames.

National Stationery Week PostcardsBecause I’m such a massive fan of these wonderful mini art objects I now make a lot myself.  The one above and the four pictured below are ones I’ve created to promote our small publishing company Dunlin Press.  A free handwritten postcard gets sent out with every book order.  This was inspired by the amount of lovely handwritten postcards we’ve found over the years hidden in the pages of hundreds (and I really do mean hundreds) of second-hand books we’ve bought. Some are really charming and tell stories in themselves.
National Stationery Week PostcardsI’m also very, very fond of sending out postcard with my print and stationery orders to say thank you and I’m a bit partial to sending little motivational messages such as the ones from the Calm Gallery below to friends.
National Stationery Week PostcardsI now sell illustrated postcards. In the spirit of those portraits that adorned my adolescent bedroom I’ve done them in the style of hand-drawn bird portraits. You can buy a set of nine here. I’m astonished that the obsessions of my younger years come to inspire me even now, there are times I feel closer to my early teenage self than to the woman in my twenties or thirties.
Bird portrait postcards (C) Ella Johsnton

My favourite stationery

Stationery buys ellasplace.co.uk

I love stationery. Of course I do, I create my own stationery collections – so I thought I’d share my favourite pieces with you.

Stationery buys ellasplace.co.uk

The book with the Eames quote was given to me by my sister, it’s a dinky little size so it I take it out and about with me for sketching and jotting down any ideas.

The pens are Uni-ball fine line – these guys are essential for my art practice. The various-sized nibs are great for detail and provide excellent ink coverage, and, because they are pigment based, the colour is beautifully black. Gift tags and washi tape are an addiction of mine and key materials for packaging my stationery orders.

Both the scissors and the rather snazzy Tom Dixon ruler were both bought for me by my Dr B – I have used them both but I don’t like to because they’re too nice.

I love my big notebook too, it’s lovely and thick – ideal for my lists of projects and ideas. I adore the marbled edges on the pages.

I’m addicted to pens and pencils too, particularly metallic pens – these Posca and Uni-ball ones give great coverage. The gorgeous red pen was a gift from my colleagues at Homemaker and Make it Today when I left, so it’s a well treasured item. The postcard (I send out many postcards) comes from The Calm Gallery, you can get them here.