Experiments in ink!

Ink, mark-making experiments Ella Johnston
In preparation for #inktober I’ve been playing with experiments in ink!

Composition, Indian ink feather and teasel drawing, book paper, silver leaf collage. Ella Johnston
Composition, Indian ink feather and teasel drawing, book paper, silver leaf collage. Ella Johnston

Ages ago I told you about how as an artist and illustrator I strive for simplicity, well this has been a little mantra playing in my head all year so recently I gave into it. I’ve  started working on art work and illustrations using simple black Indian ink and various mark-making tools.

Simplicity is hard.

Composition, Indian ink teasel drawing Ella Johnston
Composition, Indian ink teasel drawing Ella Johnston
Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage.
Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage.

These scratchy ink sketches and gold/silver leaf and book paper collages are my first steps along my journey into the simple mark marking. Taking my cue from various Japanese ink artists I’ve experimented with my mark-making tools. I’ve fashioned ‘pens’ and ‘brushes’ from dried out teasels, found feathers, dried seed-heads and bunches of twigs to produce various line effects.

Composition, Indian ink teasel drawing Ella Johnston
Composition, Indian ink teasel drawing Ella Johnston

I thought I would combine these ink strokes with collage to create movement, contrast and texture. I’m also fascinated by palimpsests (where a manuscript or piece of written-on material has been written over but still bears visible traces of its earlier form) so I wanted to create a sense of that.

Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage.
Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage.

At the moment, I still need to work on my serenity ( I imagine a few people have remarked on that through the years).

I like combining humble unbleached papers I use for the inner pages of my hand-stitched books (sometimes painted with washes of colour, sometimes not) with gold and silver leaf to create a sense of collision. After these elements are layered up, I naturally want to produce something visceral and energetic over them with the ink marks.

Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage. Ella Johnston Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage. Ella Johnston

Composition, Indian ink feather and teasel drawing, book paper, gold leaf collage. Ella Johnston
Composition, Indian ink dried seed-head, feather and teasel drawing, book paper, gold leaf collage. Ella Johnston

This mark-making method is real fun and, at this stage in my development with getting to know this way of working, I feel a little indulgent. I love the variation in marks the teasel, feather and seed-head tips create – I could go on all day marvelling at all the different line effects they produce.

Composition, Indian ink teasel, feather and seedhead drawing Ella Johnston
Composition, Indian ink teasel, feather and seedhead drawing Ella Johnston

Monday Moodboard: Seed heads

Monday Moodboard Seed headsToday’s Monday Moodboard is a homage to my teenage self. I was obsessed with seed heads when I was doing my A-Levels and after looking at this collection of images I can see why.

In fact I’m tempted to revisit this as a theme for my illustrations. They are structural, almost architectural in their form and the faded colours would look amazing in watercolour. I’ve got loads of dried allium and poppy heads displayed through out my home (see below) so I may have a little bash drawing at some still lives in ink I think the medium would work with its wild, ragged nature – I’ll keep you posted.
Poppy Heads Ella JohnstonDoglamp and seed heads Ella Johnston

Vintage Pottery Vignette ellasplace.co.uk