Posted on Leave a comment

Drawing of the week: American Cocker Spaniel

American Cocker Spaniel Illustration (c) Ella Johnston

In honour of this week’s Crufts 2017, my drawing of the week is of an American Cocker Spaniel.

This quick little doggie sketch was created in watercolour and brown ink. It didn’t take very long to do but I am quite pleased with the illustration. I think this animal has a certain stoic, noble quality.

I will not lie to you, I love a Cocker Spaniel – they could be my favourite breed. I love the character of a spaniel – so friendly, energetic and full of life.

I am a massive fan of all shaggy haired dogs generally. This my friends is because I was/am an indie kid of the early nineties variety and have a great affection for long-haired, scruffy herberts.

Just look my dog’s refined face. It takes me back to 1993 when Richard Ashcroft was not Richard Ashcroft as he is now but was instead known as “Mad Richard” and The Verve was known as just Verve. Ah those heady days of youth… long haired boys in terrible jeans – it was a tremendous amount of fun.

Verve 1993

Posted on Leave a comment

Henry Moore’s Animals

Antelope 1982 Etching . Signed and numbered in pencil. From the Animals in the Zoo album
Henry Moore, Antelope 1982 Etching. From the Animals in the Zoo album

Years and years ago, I had an exhibition of my screenprints at Medcalf Bar in London’s Exmouth Market. Me and Dr B ended up spending quite a lot of time in the area showing friends and family my work. On our various visits we would end up popping into a gallery, Inked Art, at the top of the Market.

Run by the wonderful John and Pat Crossley, the gallery featured some amazing prints by 20th-century British artists, including some absolutely stunning etchings by Henry Moore. John is a master printer and learned his trade at Bradford College of Art – where Hockney studied. John has made prints for some of the most celebrated British 20th-century artists, some of which made it into the gallery.

Obviously I’d seen Moore’s sculptures before and I’d studied his war shelter drawings as part of a personal project, but I had never seen his animals sketches. The sensitivity of his line and deftness in which he draws conjures up feelings of both awe and envy in me. I’ve since been obsessed with Moore’s line and cite him as a key influence in my own work.

Sheep with Lamb IV 1972 Henry Moore OM, CH 1898-1986 Presented by the artist 1975
Henry Moore, Sheep with Lamb IV 1972 , Presented by the artist 1975

You can see some of Moore’s animal pieces here. The gallery is now a luxury kitchen showroom (that’s gentrification for you) but you can still buy from Inked Art and check out its print collection at the gallery’s website.