If you’re ever in a churchyard or park and a little silvery grey/brown bird flits past you and you could swear it isn’t a sparrow, chances are you’ve spied a spotted flycatcher.
Spotted flycatchers may look a bit dull but they are charming to watch. But don’t be fooled. These little fellas are trained killers they fly from a high perch and burst into flight to catch a flying insect. They then flit back to the same spot to devour their prey.
They don’t look flashy, in fact they are fairly scruffy which made drawing my black and white sketches all the more fun. Let’s see if my worked up watercolour version will be as fun.
As I mentioned earlier this week with my black and white drawings, the black headed gull is a constant companion for any Wivenhoe resident.
The gull isn’t a particularly glamorous bird I suppose, however it is quite a handsome creature in my opinion. It has a gorgeous sleek head (this dark colour comes along in the spring and summer for sexy mating times) and rather lovely white and silver feathers. I love these guys and I’m so lucky to have the opportunity to see them everyday!
I didn’t have to overwork this piece for the final illustration. Although the colour looks light, there are actually several layers of washes in a range of silvery, blue, purple, pink and grey watercolours. Because this bird is quite sleek I don’t want to go to town on fine detail on this drawing, so I kept my ink lines gestural and fluid, maybe a little rough and ready like the birds themselves.
This fortnight’s bird may be rather mundane to some but to me it’s rather special.
Essentially we share our home town with the black headed gull, you only have to walk around the corner from our house and you’ll see these critters flying about or picking at the Wivenhoe mud. They make a great racket too, especially if you’re having chips on the quay!
So if you haven’t seen my bird of the fortnight posts before then what I do is start the week with three black and white pen sketches. I then finish the week with a worked up colour watercolour and ink drawing. Join me on Friday to see the final illustration.
Here’s my finished bird for this fortnight. A worked-up watercolour and ink illustration of the blackcap – a beautiful little grey warbler. Earlier this week when I showed off my black and white sketches, I said I loved the blackcap song. Well according to the RSPB website its “delightful fluting song has earned it the name ‘northern nightingale'”. The one I saw certainly was very tuneful.
Folk names for the blackcap often refer to its plumage; black-headed peggy, King Harry black cap and, my favourite, coal hoodie. Other old names are based on its choice of nesting material (Jack Straw, hay bird, hay chat and hay Jack).
This fortnight I thought I’d do some black and white drawings of the blackcap bird.
I first saw one of these close up during a favourite walk of ours from Manningtree Station to Dedham (with the ultimate destination being the fabulous Sun Inn). It’s a lovely stroll through Constable country – the colours are magical at any point in the year and the area is rich with birdlife and nature. As the blackcap song resonated through the landscape it made a great walk even better. I love the sound this creature makes.
You can see the final watercolour illustration this Friday.
Where I live, by the creeks and estuaries in East Anglia, salvaged wood turns up in many people’s homes – crafted into sculptures of the wading birds that dot the shorelines in winter. Foremost among driftwood bird sculptors is Guy Taplin, who made the birds above. He’s sometimes known as the Bird Man of Wivenhoe. Along the river banks between his studio and Ella’s Place you’ll see upturned tenders (the little rowing boats that carry you out to the larger sailing or pleasure boats anchored further out on the water). Many of the houses are weatherboarded in the vernacular East Anglian style, too. A good friend of ours says it looks more like New England, USA, than Olde England.
The reclaimed and salvaged wood trend has been everywhere in interiors this year, too, cropping up in all kinds of editorials and ads. Used well to complement other materials and colours, it doesn’t need to overpower and can look chic, rather than just shabby.
Here are a few examples of the trend I’ve found recently.
1. The neutral and earthy tones of reclaimed – salvaged – wood can help to soften a room when used carefully. The accent wall above is complemented by the stone, steel and leather, but allows the pop of a red armchair and yellow pouffe to stand out.
2. As a headboard, above, it provides the colour-pop on its own, jumping out to contrast with the colourful wall.
3. The weathered boarding, above, adds notes of outdoor wilderness to a small space, without turning the room into a log cabin.
6. For a calming space, the natural tones of wood look great when set against clean whites and complementary shades. To mix things up, try bringing in different textures instead of colours.
