Earlier this month I had great fun showing people how to use Posca pens to decorate glass lanterns the easy way at The Stitching, Sewing & Hobbycrafts show at EventCity in Manchester.
As you know I’ve been working with Posca pens all year, as I’ve done a lot of work with the company, but it’s always better when you can see what other people come with up when you show them how to use the pens.
I ran around five workshops in small groups of five or six everyday and it was such as pleasure to share some knowledge and see others’ creativity flourish.
I made the illustrated lanterns shown here in preparation for the show, to illustrate how you can use the pens to decorate onto glass, using the different sized nibs and various colours to create different illustrative effects.
The glass drawing preparation work I’d done was a great way of kick-starting new ideas from my workshop buddies who used the designs as a inspiration for their own work.
I did a combination of easy dots and strokes, simple girly designs and seasonal Christmas-themed, autumn and halloween illustrations.
I’d kept the shapes very simple and easy to copy and explored ways you can layer colour with the pen. And while some of my workshoppers stuck to simple dots and strokes or my easy shapes, others were more ambitious, creating stunning intricate designs of their own. It gave me a real buzz.
You can work directly onto these glasses with the pens. To seal in the design you simply bake the glass in the oven for 160-degrees (Gas mark 2 I think) for 45 mins so we’re using robust glass here. We used glasses from Ikea so that people could easily get more if they developed an addiction for easy glass painting.
I’m doing a mini-tour of with the company and will be doing my do with Posca and other Uni-ball pens at the following venues.
NEC, Birmingham: 3-6 November
ExCeL, London: 17-19 November
Join me if you can, if not just check out what you do with some pens and some glass. 
During the summer I attended a lot of AW/Christmas 2016 retail shows and at least half of them featured live calligraphy sessions. I’ve also noticed that some of my favourite illustrators are running brush script and calligraphy workshops all over the country. It seems in the world of digital, the tactile, fluid quality of hand-scripted or brush type is still something to be treasured.
