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Bookmaking how to: The Orphaned Spaces

You know last week I told you about the Dunlin Press Waste Ground Project I was working on? Well, here are two short book-making how to films as a sneak peek on what’s to come…

These videos show you how I created our hand-stitched book of photography depicting botanical still lives of plants collected from brownfield sites and a pamphlet of black and white sketches also created by me. This book will form part of a limited edition box set.

The Orphaned Spaces is the culmination of a multimedia collaboration by independent publisher Dunlin Press. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

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New work: Bird prints

A3 Limited Edition Wren Giclee Print (c) Ella Johnston

I’ve recently launched a whole new collection of illustrated bird prints now available on my Etsy and Folksy shops.

A3 Limited Edition Wren Giclee Print (c) Ella JohnstonI really enjoyed drawing this wren – I created it using new uni-pin sepia pigment ink pens on watercolour paper. This delicate avian illustration is then scanned and printed as a fine art print on archival paper ensuring that it will last a lifetime.A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonI originally created the watercolour and ink Peacock artwork for an exhibition. The artwork showcases vivid blue, pea green and violet watercolour washes combined with shimmery golden POSCA pen washes. I then overlaid the painting with pigment ink pen.
A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonMy golden plover drawing was originally created for the book The Migrant Waders, published by Dunlin Press. It was one of my favourite illustrations and I love looking at it, so I had to turn it into a print. Again this is printed on high quality archival paper so it will last a lifetime.
A4 Limited Edition Golden Plover Giclee Print (c) Ella Johnston
A4 Limited Edition Golden Plover Giclee Print (c) Ella JohnstonGolden Plover illustration work in progress (c) Ella Johnston

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New illustration project: The Waste Ground

Black and white wild flower sketches (c) Ella Johnston
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.

Black and white wild flower sketches (c) Ella Johnston

The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

Black and white wild flower sketches (c) Ella Johnston
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
Black and white wild flower sketches (c) Ella Johnston
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Black and white wild flower sketches (c) Ella Johnston
Watch this space for more updates.
Black and white wild flower sketches (c) Ella Johnston
Black and white wild flower sketches (c) Ella Johnston

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New botanical print; Juniper berries

Work in progress Juniper watercolour and ink drawing (c) Ella JohnstonThis is my new botanical print, juniper berries illustrated in watercolour and ink. A perfect gift for gin fiends!A3 Limited Edition Juniper Giclee Print (c) Ella JohnstonI’ve been producing a lot of new work recently and I’m going to get into the habit showing some of it to you on a regular basis. This juniper berries drawing was really fun to do – I love its needles (something I’m not too familiar with in terms of illustration) and its juicy berries.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston
The new art print is available on my Etsy shop.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston

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The joy of house plants

My work explores the way human connect with the natural world, so it will be not surprise that I am a big fan of house plants! I love them. They provide a great eco-friendly home update (they’ve brightened up our battered old piano and bright white sideboard), they look amazing and will lift your soul – I promise.

They have also brought out my nurturing side – I’m not ashamed to admit that I talk to our growing green housemates and it’s very therapeutic. I’ve bought a leaf mister – an object not on my radar five years ago – and I got a dedicated house plant watering can for my birthday this year.
I love house plants. Photo (c): Ella JohnstonSo what do I like about house plants? As you know I’ve been banging on about the benefits of greenery and nature for years.  I love the organic, wild(ish) element that they give to my home. It swells my heart to watch our plants grow, especially as they are all quite easy to maintain and look after – although I admit I’ve had some neglect/kill with kindness-related fatalities.

Houseplants (c) Ella Johnston ellasplace.co.ukI’m constantly adding to my home jungle. At the moment, I’ve got Monstera deliciosa, Castanospermum Australe (Jack’s Beanstalk), Dracaena marginata (Madagascar Dragon Tree), Chamaedorea (mountain palm), Sword Fern, Sanseveria (Mother-in-law’s tongue), Fittonias, Aloe Vera and some succulents.
I love house plants. Photo (c): Ella Johnston I’ve been very successful with the monsteras (touch wood), had mixed results with the fittonias (I think I transplanted them too early), I have an on-going struggle with succulents but have managed to keep it together with the aloes (so low maintenance it’s unreal).

What are my top house plant tips?  Hmm not sure really,  I’m certainly no expert. I’ve got most of the plants in rooms at the back of the house where they will get the most light. I don’t have a strict timetable when it comes to watering – I’ve had so many over-watering incidents in the past that now I tend to go by feel (using my fingers to assess the dryness/dampness of the soil, checking the leaves and stems). Obviously I’ve found myself giving the monstera, dragon tree and mountain palm more of a drink in the summer months but I don’t have any hard and fast rules.

Have you got bitten by the house plant bug? Can you recommend anywhere to get some good large(ish) pots? Give me a shout and let me know.

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Pick of the Pins: Lucy Tiffney Mural

Pick of the pins Ella Johnston
I’ve been itching to share this pick of my pins this week. Lucy Tiffney’s murals are a constant inspiration but this particular illustration created for Care UK, Oxford really impressed.

I think this example exemplifies Lucy’s illustrative style; simple, structural and striking. It communicates the essence flowing energy and lightness of the plant’s leaves contrasted with the weight of the pot. Her colour choice is always spot-on and her simple composition is one to be admired and taken note of. She has inspired me to explore some large scale work of my own.

See more of Lucy Tiffney’s work on the following channels…

Instagram: @lucytiffney

Website: lucytiffney.com

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Ella at work: Exhibiting

Forgive the use of an old picture (above) but I wanted to convey a bit of Ella at work action. This is one of me in our old London flat preparing for an exhibition. It’s the same story for every exhibition I’ve done – lots of cutting, trimming, framing and packaging!

I was reminded of this when I prepared my work for the autumn/winter Naze Tower show.

If you haven’t been to the Naze Tower and you are remotely local (it’s one and a half hours from London, half an hour from me in Wivenhoe) then I recommend a visit. Residing on an attractive stretch of coastline at Walton-on-the-Naze, the Naze Tower is an historic 86ft landmark and unique visitor attraction. Over eight floors it houses an art gallery with three exhibitions a year, a museum on the Tower and Naze, tea rooms and a roof viewing platform with spectacular panoramic views.

It’s a charming place and from now until the end of October you can see a selection of my original watercolour and fine line bird drawings on show and get your hands on some of my limited edition prints…



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#MondayMotivation Darling Dahlias


It’s mid-September, our house has been battered by East Anglian, River Colne winds and we’re preparing for autumn. Still our dahlia’s thrive – how’s that for a bit of Monday motivation?Dahlia Ella JohnstonDr B has planted loads of different varieties of this fabulous flower in various shades of pink, red and orange so even as we move out of summer, the garden is a real riot of colour.

As well as their impressive, vibrant hues and voluptuous shape, these blooms are so wonderful as you can keep cutting them to display and it just makes the plant even more abundant. Every week we get a fresh homegrown floral display that brightens up our rooms – I hope it’s brightened your Monday.

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September drawing of the month: Strutting godwit

Godwit watercolour and fine line illustration (c) Ella Johnston
So pleased to be kicking off my regular illustration posts with my strutting godwit as September’s drawing of the month.

I think godwits are my favourite bird (at least today they are – it’s a bit like picking a favourite song or album for me, it depends on the day, the mood, how I’m feeling etc). You can expect to see godwit bird illustrations coming up quite a few times on my drawing of the month posts.

Work in Progress: Godwit watercolour and fine line illustration (c) Ella Johnston
Work in Progress: Godwit watercolour in the process of adding my fine line

This godwit is sporting his spring/summer mating plumage. I remember seeing an omniscience of godwits (Isn’t that a lovely collective noun? I could have also used “a prayer of godwits” or “a pantheon of godwits”) with their gorgeous russet breasts and soft golden feathers on Iken cliffs and I was practically moved to tears by the birds’ stunning colours and graceful countenance. By the way, if you haven’t been to Iken cliffs it is well worth a visit, it’s one of my favourite places on earth. So atmospheric and serene in any weather.

I created this drawing using Winsor and Newton watercolours on hot-pressed watercolour paper. I then added detail using the Uniball uni-pin pen. These pens have different nib sizes which offer fantastic versatility when working on something like feathers. You can see me start to overlay this pen detail in the video below.

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#FreebieFriday Stationery Giveaway!

Ella Johnston Stationery In celebration of National Stationery Week I thought I’d do a little #FreebieFriday stationery giveaway. Just retweet this or share on Facebook to be entered into a prize draw – remember to tag me in though otherwise I won’t know you’ve done it.
Ella Johnston Stationery So what do you win? You get your hands on this lovely 12-card boxed set worth £36 containing the following…
– Two A6 Forget Me Not Thank You Cards
– Two A6 Loving Budgie Cards
– Two A6 Lovebird Cards
– Two 15cm square Coal Tit Cards
– Two 15cm square Willow Tit  Cards
– Two 15cm square Butterfly Cards
– Eight assorted gift tags and ties
– Matching envelopes
– Mini heart charm.
Ella Johnston Stationery Giveaway closes on Monday 1st May, winner will be picked at random.