Inspired by last Friday’s Gardener’s World and indeed my own home-grown efforts this week’s drawing of the week is a helenium.
This simple watercolour and ink illustration is taken from some of the few remaining flowers of my garden. Heleniums do really well in our garden and stay so long, so I’m always snipping them and displaying them around the house to make them last longer. I wonder how long they will last. 
I’m showing you something different for my drawing of the week – not a finished illustration but some ideas I’m playing with at the moment.
I’m in experimental mode this week, playing with different pens and drawing techniques. I often experiment with illustration but rarely share my playful doodles. However as I’m pushing out of my comfort zone I’m happy to show off my working process, and these feathers, with you.
The ‘playing process’ is so much fun. I get super absorbed with making marks and seeing how shapes and colours interact with each other. It’s a great way of thinking out patterns and new projects. I’m currently obsessed with feathers – they are a recurring theme for me and an effective way to free up my line and play with colour and shape.
This week’s Monday Moodboard celebrates handwriting.
Handwriting is a passion of mine and ever since I got my first calligraphy set at nine years old, I’ve been perfecting my ‘i’s, ‘f’s and ‘r’s. This has paid off as my handwriting is something I am consistently complemented on and I’ve often been commissioned for feature illustration (see below). 
During the summer I attended a lot of AW/Christmas 2016 retail shows and at least half of them featured live calligraphy sessions. I’ve also noticed that some of my favourite illustrators are running brush script and calligraphy workshops all over the country. It seems in the world of digital, the tactile, fluid quality of hand-scripted or brush type is still something to be treasured.
With this in mind, I thought I’d do some pieces of my own. You can buy my initial prints at my Not On The High Street shop.
This week I’ve drawn a badger.
I’ve been experimenting with woodland creature drawings with watercolour and ink over the past couple of months and I must admit I’ve had so much fun illustrating this charming animals.
Actually I’m quite drawn to my woodland folk so I’ve made some of the drawings into prints. My hare, badger and fox prints are now available on my Not On The High Street shop.
This weeks’ Monday Moodboard is all about pattern. I’m currently working on some Christmas and textile patterns for homes projects. These little lot are just a sample of what I’ve been looking at.
I’ll trawled my pinterest boards for inspiration and although the designs above aren’t like my style they have given me loads of ideas for composition, colour-ways and motifs.
Have a little look at my Pinterest boards for more patterns and illustration ideas.
My drawing of the week is of a bright pink hydrangea. This watercolour and ink illustration is taken from our garden as they are in full bloom at the moment for the summer.
A hydrangea is my favourite flower and this one in our garden made the journey from our little balcony in London all the way to Wiv, so I’m particularly fond of our growing, flourishing little plant.
The first artist I ever got into was William Morris, so it’s been real fun putting my Arts and Crafts Monday Moodboard together.
William Morris is the father of the Arts and Crafts movement and a true hero of mine. The following three quotes are really important to me and match my personal philosophy…
“Have nothing in your house that you do not know to be useful, or believe to be beautiful.”
“The true secret of happiness lies in taking a genuine interest in all the details of daily life.”
“I do not want art for a few any more than education for a few, or freedom for a few.”
Wonderfully the 2017 trend reports predict the designs of the Art and Crafts movement to be a key influence in new designs. I can’t wait to see this and see if the look will affect my own work. I must admit the flowing, ornate lines, delicate florals, gorgeous leaf motifs and pattern repeats have been gently guiding me throughout my illustration journey.
Transform a plain notebook into a personalised gift with my easy how-to.
It’s more Posca pen stuff from me this week as I warm up for some workshops I’m doing for the company in September. I really want to get the workshops right. 
As you know I like to make personalised gifts and I currently know three people are doing some quite daunting things… Gearing to go back to work after maternity leave, going back to college (scary) and embarking on an exciting new creative project, I thought a personalised notebook would make a great little gift for these three special individuals. 
This is a really simple illustration project but makes for a very effective and professional looking present. All I did was take a three-pack of Moleskine mini cahiers, got out some sumptuously coloured Poscas and went for it.
You can see how I created the laurel leaf motif by watching a tutorial I did for Posca pens earlier this year.
As you can see the drawing techniques are really easy and the pens are very nice to use. The initial on the books are quite ornate compared to the formal lettering illustrated on the wooden coasters. Depending on how confident you are, you can decided which style to go for.
Because the pens produce a paint-like effect even light colours can look clear and vivid on the book’s brown craft card covers. 
Just by using simple illustration techniques you can create an ornate, sophisticated looking gift, personalised for a special person. 
I promised you a fox for drawing of the week last time so a drawing of a fox you shall have.
I drew this guy while at my parents-in-law’s place in Cumbria so I think he’s got a bit of a country air about him. My fox in this illustration is full and luscious of fur and features and his coat is remarkably vivid and splendid (I went a bit crazy on the watercolour). He is quite unlike the real skinny, scratty city foxes we used to see when coming home from a night out in London. I think this one dines off farmyard chickens and wild rabbit where as our ones would forage in dustbins and market places looking for scraps.
Penguin book design has been an obsession of mine since I was a teenager when I spent an awful lot of time in libraries. Probably too much time if I’m being honest.
In those days I was continually on the hunt for new words, stories and worlds, I used to get lots of books out on spec. I read a lot of duds but I also came across a lot of good stuff too that has stayed with me.
The cover design played a very big part in my decision making process. From the classic orange cover fiction and stylish mid-century illustration to the glorious repeat patterns, it is all the stuff of wonder and as much of an inspiration as the words inside. As a consequence of this I read a lot of books published by Penguin; a great deal of classics and quite a few poetry collections. I’ve now bought a lot of the books that I borrowed and devoured during my teenage years (the ones I enjoyed at least).
As Creative Director of an indie publisher, I design all the books for Dunlin Press. So my youthful interest has become increasingly important now I’m a grown-up. When approaching the layout for each Dunlin Press book I always ask myself, “What would the Penguin designers do?”