Inspired by last Friday’s Gardener’s World and indeed my own home-grown efforts this week’s drawing of the week is a helenium.
This simple watercolour and ink illustration is taken from some of the few remaining flowers of my garden. Heleniums do really well in our garden and stay so long, so I’m always snipping them and displaying them around the house to make them last longer. I wonder how long they will last. 
I’m showing you something different for my drawing of the week – not a finished illustration but some ideas I’m playing with at the moment.
I’m in experimental mode this week, playing with different pens and drawing techniques. I often experiment with illustration but rarely share my playful doodles. However as I’m pushing out of my comfort zone I’m happy to show off my working process, and these feathers, with you.
The ‘playing process’ is so much fun. I get super absorbed with making marks and seeing how shapes and colours interact with each other. It’s a great way of thinking out patterns and new projects. I’m currently obsessed with feathers – they are a recurring theme for me and an effective way to free up my line and play with colour and shape.
This week I’ve drawn a badger.
I’ve been experimenting with woodland creature drawings with watercolour and ink over the past couple of months and I must admit I’ve had so much fun illustrating this charming animals.
Actually I’m quite drawn to my woodland folk so I’ve made some of the drawings into prints. My hare, badger and fox prints are now available on my Not On The High Street shop.
Here’s my drawing of the week – a lovely wild hare.
I mentioned last week that I’m branching out with my drawing and illustration, challenging myself to do new things so… Here. Hare. Here*.
As usual this earnest looking little fella was created using watercolour and fine-nibbed felt tip pen. I really enjoyed doing his whiskers and eyebrows – a fun bit of mark-making if ever there was.
* With apologies to Bruce Robinson.
This week’s drawing of the week is my Birds from Brazil guide, created as a celebration of the up-coming Rio 2016 Olympics.
My illustrated guide features six Brazilian bird illustrations; blue nuthatch, anaripe manakin, toucan, Brazilian tanager, chestnut-backed tanager and green-headed tanager.
All the drawings are created with watercolour and black pen – you know, my trademark illustration style. You can buy the print of these Brazilian beauties at my Not On The High Street shop click here to see it.
One of the best places to go for visual inspiration is the near-by Beth Chatto gardens. The succulent collection is a particular pull for me, especially as I go about my artistic work. Research is essential to my work and you’ll often find me with my phone or camera in hand, capturing images that interest and inspire me.
The gardens have is a wide variety of succulents. The way the gardeners display the plants all together is really impressive. The visual impact of these packed-in plants in such a range of naturally attractive colours look like a patten design in themselves.
Check out my succulent print at > my Folksy shop
Find out more about Beth Chatto Gardens > here
One of my favourite cheap and easy decoration tips is to create a colourful wall display. Here I’ve hung some Amy Butler prints in neon frames.
Bright and eclectic, Amy Butler’s designs are so joyous. Butler gets inspiration from a range of sources, using patterns and colour combinations inspired by her travels around the world.
I’ve got loads of her fabrics and I was very excited when she released a book of her designs on paper, Amy Butler Decoupage. I’ve used the papers on many of my projects (including this one above for Homemaker Magazine). The book only costs around £11 and you get 80 colourful sheets making it fantastic value. I had a few sheets left and I’ve always felt a bit guilty about ripping them up for decoupage and wanted to show them off properly as a wall display.
Luckily I have a collection of old frames gathered over the years and picked up at car boots (I think it’s another obsession of mine) and luckier still I’ve got a whole box full of spray paint in various colours (including some fab neons) to co-ordinate with the prints. They really brighten up a dark corner and would look really fun as a grid with matching frames to fill a wall.
One of the easiest and cheapest way to give your rooms a splash of quick colour is by adding some flowers to a table or mantelpiece. It’s amazing the instant impact that even the most simple of displays can produce.
Over the past month I’ve made a record of my displays every week and now I’m sharing them with you. I’ve tried to keep my budget limited with a £40 maximum and £5 min.
My luxury purple and pink display costs around £40. The mixed peonies in light pink and deep plum were from Value Flora where you can get six stems delivered from £19.99. The vibrant, frilly carnations from my local florist were a snip at 70p each and the roses were £3 for three. I got the wilder bits of foliage from the garden.
Because these blooms aren’t especially structural I wanted the arrangement to be informal. So I opted for a fairly loose dome. I did this by following the same method I use when making a hand-tied posy.
You do this by creating a layering the stems in a spiral formation, starting with one flower in the centre and simply circling blooms around this central one and continuing until you make a dome. Then I give it a bit of a shake before I put into the blooms the vase – I do this to loosen the posy up a bit so it doesn’t look so rigid. I used one of my favourite pieces of pottery to place these blooms in – I just wish I’d made a note of who made it as we’ve had this vase for 10 years and it brings us both joy everyday. The side table was a charity shop bargain; £5 from Cancer Research.
The display below was inspired by the paintings of Jan van Huysum and the recent Dutch Flowers exhibition in the National Gallery. I fancied creating something similarly atmospheric at home. 
Although this looks quite grand, this rather formal set up is so easy to recreate. I sprayed an old charity shop pub branded vase with bronze paint. Once dry I taped a small block of florists foam soaked in water onto the container. I then arranged the stems into the foam, making sure I walked around the vase and looked onto so that not a bit of the green soaky stuff was exposed. I kept the colours to a minimum for this one, using mainly white, cream and green tones with little splashes of red and pink. I placed the shells by the bottom of the vase to be arch.
I won’t lie, this one below is actually from my mum as the ‘rents came to see us this weekend. The yellow flowers from her and my dad’s garden smell divine; you get a whiff of a little puff of sherbet as you walk by. They look delightful with such vivid hues and open up into the most perfect shapes.
My mum puts me to shame when it comes to her eye. Three simple, but bright ,stems, one of a contrasting colour, placed at different heights into a vintage old glass bottle that they bought as a job lot at an auction (Mr and Mrs J go to a lot of auctions).
Crucially my mum removed the foliage that was below the water line; not only does this look better but it eliminates the bacteria that would thrive on those leaves. It also keeps the water in the vase cleaner and adds to the shelf life of the blooms.
My final display was for a dinner party and consequently I didn’t want to spend loads of money on flowers as I’d already blown the budget on wine (#sorrynotsorry).
The table flowers to be low (people need to look at each-other over the table). I also wanted them to be fun as we were having a good time.
I’ve gathered quite a lot of swan vases from various charity shops over the years. None of them in their original state are particularly artful or beautiful so they’ve all been given the spray paint treatment on more than one occasion. I wanted them to twinkle amongst the candle-light on the table so I’ve painted them in a shiney metallic.
Alstroemeria is ideal for when you want to create a floral statement but you haven’t got loads of money. A stem of alstroemeria has lots of blooms on it so you get a lot for your money and the flowers look very effective when grouped together in one colour. I teamed the red ones with little spray roses and some foliage from the garden, these were placed in water and arranged in the vase. I placed a block of florist foam in the white one, having two large lily heads as my main attraction while filling in the gaps with alstroemeria.
As an avid pinner I’ve been struck by just how many images I’ve seen this past year featuring photography, illustration and fashion pieces showcasing a range of blush pink shades.
The hues look great on their own and teamed with light colours. It also works incredibly well when contrasted with darker green or grey shades as well as more vibrant rosy pigments.
It’s been hugely inspiring for me in creating new stationery collections and prints. By replacing my usual white backdrop with soft, gentle blushes it has really warmed up some of my pink flamingo pinks and patterns (I’ll be showing you them soon). I’ve also used it as a background for my more dramatic drawings such as my raven couple piece that you can see on my moodboard.
I’m looking forward to playing with these shades a bit more, not only with my artistic work but also exploring options for adding depth to accent walls as well as seeing how I can incorporate a bit of blush with my home accessories.
As an artist, illustrator and journalist, observation, research and image gathering are key to the success of my work. So from now on I’m letting you in on my working practice every week with my Monday Moodboards.
I’m always taking pictures of things that catch my eye and (much to Dr B’s chagrin) spend at least a couple of hours a day on Pinterest (probably not very healthy I know) collecting all kinds of images that reflect trends and serve as inspiration for my home and my drawings. Making them into a moodboard distills my thoughts and allows me to think about the vibe I want to create with my own endeavours.
I’ve recently become fascinated by green and white. It is so representative of this time of year. During the past three weeks I’ve been greeted with this glorious colour combination on my daily morning woodland and riverside walks. Lush grass, delicate hawthorn flower and cow parsley abound the environment creating delightful glades and giving everything a soft, elegant appearance. Beautiful.
This simple palette has so much potential in terms of design and it’s versatile too; a simple flower arrangement, artful grouping of fern and minty coloured objet, delicate planting or full-on statement floor and wall tiles, there are so many ways to incorporate this look into your home. Used wisely it can look stylish in a laid back, understated way. And even if you’re not actually using natural elements or motifs it suggests a natural, organic feel. The clean, fresh scheme and simplicity reflected in my mood board has also given me food for thought when it comes to my illustrations – sometimes maybe less is more?
