This time my drawing of the week is of a very happy yellow budgie.
I do tend to anthropomorphise the subjects of my drawings particularly my bird portraits as I do find a very deep connection with the animals in my illustrations. I suppose I can’t help but be sentimental about this guy in particular as my sister had budgies as pets.
But it’s true of all of my creature illos; when you spend the time with them that I do studying and scrutinising every feature, you can’t help but feel closer to your subjects. I admit that after many sessions with my watercolour and ink to create each drawing I probably imbue my animals with qualities they don’t really have.
For example I think this yellow fella is smiling at us – he just looks so cheekily delighted with himself.
I’ve had this little wooden box for years. It was plain and unloved for ages. I kept pencils in it and every time I retrieved them I thought “I should really do something with this” and then I’d leave it.
Then a couple of weeks ago I was asked if I wanted to do some projects with Uni-ball the makers of Posca pens. Before I started on the projects I thought it best to re-familiarise myself with them and have a little practice. The pens work on a range of surfaces, so after I used them on a set of notebooks I thought I’d give them a try by drawing on that plain old wooden box.
First I painted the box to give it an even white background. Then I used my wood anemone sketch as a basis for my hand-drawn box design. I wanted to make it look quite retro so influenced by sixties and seventies floral patterns I gave the flowers a bright blue colour.
What I like about these pens is that you can layer them without them bleeding and apply lighter shades over darker ones which means I could add depth to the flowers with lovely yellow centres and white pollen.You can set the design by simply spraying some varnish over it.
You can set the design on the box by
Happy Good Friday! Hope you’re enjoying the long weekend. Here’s an Easter flower just for you.
So earlier this week I dashed off some quick black and white tulip drawings. I enjoyed doing these sketches as I do love a tulip, I’ve focused on a particularly ornate blush-coloured bloom for the the final version – don’t you just love its sunsetty petals? Watercolour is great for getting this rich effect mixing orange, yellow and pinky hues. I hope your weekend is just as colourful!
Last week I spent a few days in South Devon and the weather was beautiful. At this time of year, when nature is starting to reach its vibrant peak, colours come into their own and seem to create a palette of pink, white, green, yellow and blue.
The hedgerows, meadowlands and walls were full of wild red valerian, which is sometimes known as kiss-me-quick, fox’s brush or Jupiter’s beard. It was everywhere.
The white ‘albus’ form of valerian also smothered swathes of the cliffs at Berry Head, while the higgledy-piggledy buildings of Brixham’s harbour reminded me that what we think of as ‘white’ is usually a mixtures of other, softer colours – creams, yellows, blues and pinks.
Some of those harbourside walls are gradually being ‘greened’, while a walk through the Grove took me back to Andrew Marvell’s poem ‘The Garden’ and the line ‘a green thought in a green shade’.
The sunny week in June saw me and Dr B spend afternoons in some of the secluded coves along South Devon’s coast. I am fascinated by lichen (it’s starting to cover the roof of my little studio) and on one afternoon the dappled sunshine was reflected in the golden colour of the lichen on the rocks at the foot of the cliff – it’s almost an abstract painting.
And of course, when it comes to blue, the sea and the sky around Torbay provided perfect inspiration.