I’ve recently launched a whole new collection of illustrated bird prints now available on my Etsy and Folksy shops.
I really enjoyed drawing this wren – I created it using new uni-pin sepia pigment ink pens on watercolour paper. This delicate avian illustration is then scanned and printed as a fine art print on archival paper ensuring that it will last a lifetime.I originally created the watercolour and ink Peacock artwork for an exhibition. The artwork showcases vivid blue, pea green and violet watercolour washes combined with shimmery golden POSCA pen washes. I then overlaid the painting with pigment ink pen. My golden plover drawing was originally created for the book The Migrant Waders, published by Dunlin Press. It was one of my favourite illustrations and I love looking at it, so I had to turn it into a print. Again this is printed on high quality archival paper so it will last a lifetime.
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.
The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Watch this space for more updates.
This is my new botanical print, juniper berries illustrated in watercolour and ink. A perfect gift for gin fiends!I’ve been producing a lot of new work recently and I’m going to get into the habit showing some of it to you on a regular basis. This juniper berries drawing was really fun to do – I love its needles (something I’m not too familiar with in terms of illustration) and its juicy berries.
The new art print is available on my Etsy shop.
My work explores the way human connect with the natural world, so it will be not surprise that I am a big fan of house plants! I love them. They provide a great eco-friendly home update (they’ve brightened up our battered old piano and bright white sideboard), they look amazing and will lift your soul – I promise.
They have also brought out my nurturing side – I’m not ashamed to admit that I talk to our growing green housemates and it’s very therapeutic. I’ve bought a leaf mister – an object not on my radar five years ago – and I got a dedicated house plant watering can for my birthday this year. So what do I like about house plants? As you know I’ve been banging on about the benefits of greenery and nature for years. I love the organic, wild(ish) element that they give to my home. It swells my heart to watch our plants grow, especially as they are all quite easy to maintain and look after – although I admit I’ve had some neglect/kill with kindness-related fatalities.
I’m constantly adding to my home jungle. At the moment, I’ve got Monstera deliciosa, Castanospermum Australe (Jack’s Beanstalk), Dracaena marginata (Madagascar Dragon Tree), Chamaedorea (mountain palm), Sword Fern, Sanseveria (Mother-in-law’s tongue), Fittonias, Aloe Vera and some succulents. I’ve been very successful with the monsteras (touch wood), had mixed results with the fittonias (I think I transplanted them too early), I have an on-going struggle with succulents but have managed to keep it together with the aloes (so low maintenance it’s unreal).
What are my top house plant tips? Hmm not sure really, I’m certainly no expert. I’ve got most of the plants in rooms at the back of the house where they will get the most light. I don’t have a strict timetable when it comes to watering – I’ve had so many over-watering incidents in the past that now I tend to go by feel (using my fingers to assess the dryness/dampness of the soil, checking the leaves and stems). Obviously I’ve found myself giving the monstera, dragon tree and mountain palm more of a drink in the summer months but I don’t have any hard and fast rules.
Have you got bitten by the house plant bug? Can you recommend anywhere to get some good large(ish) pots? Give me a shout and let me know.
Have you noticed how dark it’s got recently? I quite like autumn but this has come as s shock even to me so I’m lighting in my mood with these sea-side themed buys from The Contemporary Home.
These delightful oversized ceramic sea shells and seahorses have not only kept a little bit of summer in my heart but they’ve also saved my bathroom look during its ‘transitional phase’. We’ve getting it decorated in the new year and I wanted something to brighten it up in the short term.
I’ve teamed them with some real items scavenged from the beaches of Great Britain to give the smallest room in the house a bit of life. Who knows where they’ll live when my bathroom is complete – watch this space!
My October drawing of the month is of a flying dunlin.
As the co-founder of Dunlin Press this bird is particularly important to me and Dr B. We are very fond of these birds, very soon they’ll be scuttling around in the mud on Wivenhoe quay.
I’ve been drawing dunlins for a little while now, and even have a print of another dunlin drawing available on Folksy, but I’ve never attempted to draw a flying dunlin before. They are quite magical when they fly. I normally spot these wading birds in groups scurrying around on the mud as the tide is coming in during twilight so it’s quite hard to see them at first. You can just about detect them by a little flash of white on their bellies. It’s only when they fly do you see them fully as the white plumage underneath their wings catches and twinkles in the moonlight, it’s lovely.
I created this illustration with washes of watercolour and picked out the details with a uni-pin fine line pen, you can see me adding some detail in the video below…
I’ve been itching to share this pick of my pins this week. Lucy Tiffney’s murals are a constant inspiration but this particular illustration created for Care UK, Oxford really impressed.
I think this example exemplifies Lucy’s illustrative style; simple, structural and striking. It communicates the essence flowing energy and lightness of the plant’s leaves contrasted with the weight of the pot. Her colour choice is always spot-on and her simple composition is one to be admired and taken note of. She has inspired me to explore some large scale work of my own.
See more of Lucy Tiffney’s work on the following channels…
The exhibition explored the objects in Matisse’s home and how they manifested themselves in his work. Strangely I’ve never really considered doing still lives myself but the exhibition really got me thinking how the pieces we have in our homes hold such a personal place in our hearts.
I genuinely don’t feel particularly materialistic but I admit that I have very deep attachments to certain vases, books and other objet so maybe recording them in my illustrative work would be an interesting process.
It got me thinking about the concept of taste and what objects and arrangements I’d select to depict and the reasons why I’d do this. Also, in the world of Instagram I see so many people doing little tableaux on the channel as a way of representing their brand maybe the still life is the modern day portrait?
Also I’ve included another great painting I’ve seen recently in the moodboard; Gluck’s Lilac and Gelder rose still life. I saw this at the Tate’s Quiet British Art show and I was blown away by its mastery and tenderness. On watching a documentary about the artist, it’s been said that Gluck’s work focused around whoever Gluck was having a relationship with at the time. This was painted around the period where Gluck was having an affair with Constance Spry so there you. Again, it illustrates what a powerful medium for social and personal commentary the still life can be. Watch this space for some watercolour and fine line still lives from me in the future.
Forgive the use of an old picture (above) but I wanted to convey a bit of Ella at work action. This is one of me in our old London flat preparing for an exhibition. It’s the same story for every exhibition I’ve done – lots of cutting, trimming, framing and packaging!
I was reminded of this when I prepared my work for the autumn/winter Naze Tower show.
If you haven’t been to the Naze Tower and you are remotely local (it’s one and a half hours from London, half an hour from me in Wivenhoe) then I recommend a visit. Residing on an attractive stretch of coastline at Walton-on-the-Naze, the Naze Tower is an historic 86ft landmark and unique visitor attraction. Over eight floors it houses an art gallery with three exhibitions a year, a museum on the Tower and Naze, tea rooms and a roof viewing platform with spectacular panoramic views.
It’s a charming place and from now until the end of October you can see a selection of my original watercolour and fine line bird drawings on show and get your hands on some of my limited edition prints…
It’s mid-September, our house has been battered by East Anglian, River Colne winds and we’re preparing for autumn. Still our dahlia’s thrive – how’s that for a bit of Monday motivation?Dr B has planted loads of different varieties of this fabulous flower in various shades of pink, red and orange so even as we move out of summer, the garden is a real riot of colour.
As well as their impressive, vibrant hues and voluptuous shape, these blooms are so wonderful as you can keep cutting them to display and it just makes the plant even more abundant. Every week we get a fresh homegrown floral display that brightens up our rooms – I hope it’s brightened your Monday.