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New book illustration: The Orphaned Spaces

The Orphaned Spaces front cover, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces front cover, illustration and design by Ella Johnston (c) Dunlin Press

Last month, Dunlin Press launched its new book, The Orphaned Spaces; a collaboration with featuring illustration from myself and words from poet MW Bewick

The Orphaned Spaces, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces, illustration and design by Ella Johnston (c) Dunlin Press

The Orphaned Spaces is a rumination on life and loss through the prism of liminal spaces – derelict land, brownfield sites, edgelands – caught between moments of dilapidation and regeneration.

Wild flower pressings. The Orphaned Spaces, illustration and design by Ella Johnston

The Orphaned Spaces project was meant to be a small artistic endeavour. Our original idea for The Orphaned Spaces was to have a brown paper bag containing fragments of writing, the odd drawing and some landscape photography, all loosely themed around ‘waste ground’. About a month in however, it had already started to take on a life of its own.  As is the way of things,  it escalated into something bigger, encompassing a 148-page book and  handmade book box set.

The Orphaned Spaces, photography, illustration and design by Ella Johnston (c) Dunlin Press
The Orphaned Spaces, photography, illustration and design by Ella Johnston (c) Dunlin Press

The Orphaned Spaces features exquisite words and visceral landscape imagery from MW Bewick and my quick brush sketches that I spoke about in this previous post. Both the book and the box set also include fine line botanical and insect studies in black and white (see below),  ikebana-inspired still life plant photography plus wild flower pressings, all created by me.

Green Malachite Beetle, black and white fine line insect illustration. Ella Johnston
Green Malachite Beetle, black and white fine line insect illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Scarce Emerald Damselfly, black and white fine line insect illustration. Ella Johnston
Scarce Emerald Damselfly, black and white fine line insect illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston
Rosebay Willlowherb, black and white fine line botanical illustration. Ella Johnston

The black and white studies were created with fineliner pigment ink pens.

Ikebana-inspired botanical photography, (c) Ella Johnston/Dunlin press
Ikebana-inspired botanical photography, (c) Ella Johnston/Dunlin press

I’m really pleased with the botanical photography aspect of the book – you can read more about it here

Wild flower pressings, The Orphaned Spaces. Dunlin Press
Wild flower pressings, The Orphaned Spaces. Dunlin Press

I’m also delighted with the way my wildflower pressings came out. I used to press wild flowers and plants with my mum when I was kid, so I wanted this aspect to be in the book as I felt it needed a child-like, playful aspect to it. Actually as it turned out I think in some ways these illustrative elements are the most plaintive and poignant images of the publication – they are particularly effective as the archival prints featured in the box set but that’s worthy of another post.

Wild flower pressings, The Orphaned Spaces. Dunlin Press
Wild flower pressings, The Orphaned Spaces. Dunlin Press
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Bookmaking how to: The Orphaned Spaces

You know last week I told you about the Dunlin Press Waste Ground Project I was working on? Well, here are two short book-making how to films as a sneak peek on what’s to come…

These videos show you how I created our hand-stitched book of photography depicting botanical still lives of plants collected from brownfield sites and a pamphlet of black and white sketches also created by me. This book will form part of a limited edition box set.

The Orphaned Spaces is the culmination of a multimedia collaboration by independent publisher Dunlin Press. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

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New work: Bird prints

A3 Limited Edition Wren Giclee Print (c) Ella Johnston

I’ve recently launched a whole new collection of illustrated bird prints now available on my Etsy and Folksy shops.

A3 Limited Edition Wren Giclee Print (c) Ella JohnstonI really enjoyed drawing this wren – I created it using new uni-pin sepia pigment ink pens on watercolour paper. This delicate avian illustration is then scanned and printed as a fine art print on archival paper ensuring that it will last a lifetime.A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonI originally created the watercolour and ink Peacock artwork for an exhibition. The artwork showcases vivid blue, pea green and violet watercolour washes combined with shimmery golden POSCA pen washes. I then overlaid the painting with pigment ink pen.
A3 Limited Edition Peacock Giclee Print (c) Ella JohnstonMy golden plover drawing was originally created for the book The Migrant Waders, published by Dunlin Press. It was one of my favourite illustrations and I love looking at it, so I had to turn it into a print. Again this is printed on high quality archival paper so it will last a lifetime.
A4 Limited Edition Golden Plover Giclee Print (c) Ella Johnston
A4 Limited Edition Golden Plover Giclee Print (c) Ella JohnstonGolden Plover illustration work in progress (c) Ella Johnston

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New illustration project: The Waste Ground

Black and white wild flower sketches (c) Ella Johnston
Here’s a preview of some sketches I’ve been working on for an up-coming Dunlin Press project to be published next month.

Black and white wild flower sketches (c) Ella Johnston

The Waste Ground Project is the culmination of a multimedia collaboration. The project is centred on a rumination on life through the prism of liminal spaces – derelict land, brownfield sites – caught between moments of dilapidation and regeneration. The project takes the form a paperback book, a highly limited edition box set, featuring hand-stitched booklets, archival prints and a reliquary, as well as art prints and more.

Black and white wild flower sketches (c) Ella Johnston
These sketches are for the text element of the piece. They accompany beautiful prose written by MW Bewick.
Black and white wild flower sketches (c) Ella Johnston
These black and white wild flower and plant sketches have been created with a brush paint pen. They accompany more detailed fine-liner drawings elsewhere in the piece. I wanted these illustrations to be loose, gestural and quick so they feel like they’ve been captured on the fly.
Black and white wild flower sketches (c) Ella Johnston
Watch this space for more updates.
Black and white wild flower sketches (c) Ella Johnston
Black and white wild flower sketches (c) Ella Johnston

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New botanical print; Juniper berries

Work in progress Juniper watercolour and ink drawing (c) Ella JohnstonThis is my new botanical print, juniper berries illustrated in watercolour and ink. A perfect gift for gin fiends!A3 Limited Edition Juniper Giclee Print (c) Ella JohnstonI’ve been producing a lot of new work recently and I’m going to get into the habit showing some of it to you on a regular basis. This juniper berries drawing was really fun to do – I love its needles (something I’m not too familiar with in terms of illustration) and its juicy berries.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston
The new art print is available on my Etsy shop.
A3 Limited Edition Juniper Giclee Print (c) Ella Johnston

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The joy of house plants

My work explores the way human connect with the natural world, so it will be not surprise that I am a big fan of house plants! I love them. They provide a great eco-friendly home update (they’ve brightened up our battered old piano and bright white sideboard), they look amazing and will lift your soul – I promise.

They have also brought out my nurturing side – I’m not ashamed to admit that I talk to our growing green housemates and it’s very therapeutic. I’ve bought a leaf mister – an object not on my radar five years ago – and I got a dedicated house plant watering can for my birthday this year.
I love house plants. Photo (c): Ella JohnstonSo what do I like about house plants? As you know I’ve been banging on about the benefits of greenery and nature for years.  I love the organic, wild(ish) element that they give to my home. It swells my heart to watch our plants grow, especially as they are all quite easy to maintain and look after – although I admit I’ve had some neglect/kill with kindness-related fatalities.

Houseplants (c) Ella Johnston ellasplace.co.ukI’m constantly adding to my home jungle. At the moment, I’ve got Monstera deliciosa, Castanospermum Australe (Jack’s Beanstalk), Dracaena marginata (Madagascar Dragon Tree), Chamaedorea (mountain palm), Sword Fern, Sanseveria (Mother-in-law’s tongue), Fittonias, Aloe Vera and some succulents.
I love house plants. Photo (c): Ella Johnston I’ve been very successful with the monsteras (touch wood), had mixed results with the fittonias (I think I transplanted them too early), I have an on-going struggle with succulents but have managed to keep it together with the aloes (so low maintenance it’s unreal).

What are my top house plant tips?  Hmm not sure really,  I’m certainly no expert. I’ve got most of the plants in rooms at the back of the house where they will get the most light. I don’t have a strict timetable when it comes to watering – I’ve had so many over-watering incidents in the past that now I tend to go by feel (using my fingers to assess the dryness/dampness of the soil, checking the leaves and stems). Obviously I’ve found myself giving the monstera, dragon tree and mountain palm more of a drink in the summer months but I don’t have any hard and fast rules.

Have you got bitten by the house plant bug? Can you recommend anywhere to get some good large(ish) pots? Give me a shout and let me know.

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Ella’s Edit: Sea-inspired buys

Seahorse ornaments www.tch.net/
Seahorse ornaments, The Contemporary Home

Have you noticed how dark it’s got recently? I quite like autumn but this has come as s shock even to me so I’m lighting in my mood with these sea-side themed buys from The Contemporary Home.

 Large Ceramic Shells www.tch.net/
Large Ceramic ShellsThe Contemporary Home

These delightful oversized ceramic sea shells and seahorses have not only kept a little bit of summer in my heart but they’ve also saved my bathroom look during its ‘transitional phase’. We’ve getting it decorated in the new year and I wanted something to brighten it up in the short term.

I’ve teamed them with some real items scavenged from the beaches of Great Britain to give the smallest room in the house a bit of life.  Who knows where they’ll live when my bathroom is complete – watch this space!

Seahorse ornaments www.tch.net/
Seahorse ornamentsThe Contemporary Home
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October drawing of the month: Flying Dunlin

Flying dunlin watercolour and fine line drawing (c) Ella Johnston
My October drawing of the month is of a flying dunlin.

As the co-founder of Dunlin Press this bird is particularly important to me and Dr B. We are very fond of these birds, very soon they’ll be scuttling around in the mud on Wivenhoe quay.

Work in progress: Flying dunlin watercolour and fine line drawing (c) Ella Johnston

I’ve been drawing dunlins for a little while now, and even have a print of another dunlin drawing available on Folksy, but I’ve never attempted to draw a flying dunlin before. They are quite magical when they fly. I normally spot these wading birds in groups scurrying around on the mud as the tide is coming in during twilight so it’s quite hard to see them at first. You can just about detect them by a little flash of white on their bellies. It’s only when they fly do you see them fully as the white plumage underneath their wings catches and twinkles in the moonlight, it’s lovely.

dunlin print by Ella Johnston

I created this illustration with washes of watercolour and picked out the details with a uni-pin fine line pen, you can see me adding some detail in the video below…

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Pick of the Pins: Lucy Tiffney Mural

Pick of the pins Ella Johnston
I’ve been itching to share this pick of my pins this week. Lucy Tiffney’s murals are a constant inspiration but this particular illustration created for Care UK, Oxford really impressed.

I think this example exemplifies Lucy’s illustrative style; simple, structural and striking. It communicates the essence flowing energy and lightness of the plant’s leaves contrasted with the weight of the pot. Her colour choice is always spot-on and her simple composition is one to be admired and taken note of. She has inspired me to explore some large scale work of my own.

See more of Lucy Tiffney’s work on the following channels…

Instagram: @lucytiffney

Website: lucytiffney.com

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Monthly Moodboard: October, Still Life

October Moodboard Still life

This month’s moodboard is dedicated to the still life.

A couple of weeks ago I went to see the Matisse in The Studio exhibition at the Royal Academy. Ever since then I’ve been obsessed with still life painting and photography.

The exhibition explored the objects in Matisse’s home and how they manifested themselves in his work. Strangely I’ve never really considered doing still lives myself but the exhibition really got me thinking how the pieces we have in our homes hold such a personal place in our hearts.

I genuinely don’t feel particularly materialistic but I admit that I have very deep attachments to certain vases, books and other objet so maybe recording them in my illustrative work would be an interesting process.

It got me thinking about the concept of taste and what objects and arrangements I’d select to depict and the reasons why I’d do this. Also, in the world of Instagram I see so many people doing little tableaux on the channel as a way of representing their brand maybe the still life is the modern day portrait?

Also I’ve included another great painting I’ve seen recently in the moodboard; Gluck’s Lilac and Gelder rose still life. I saw this at the Tate’s Quiet British Art show and I was blown away by its mastery and tenderness. On watching a documentary about the artist, it’s been said that Gluck’s work focused around whoever Gluck was having a relationship with at the time. This was painted around the period where Gluck was having an affair with Constance Spry so there you. Again, it illustrates what a powerful medium for social and personal commentary the still life can be. Watch this space for some watercolour and fine line still lives from me in the future.