Monthly Moodboard: September, Simplicity

Monthly moodboard, September Simplicity

Although my art is quite intricate I actually strive for simplicity. The bravery and beauty of making a few gestural lines to shapes to convey a subject for me is an incredible achievement. It’s building up to becoming an obsession of mine, as this September moodboard illustrates.

While my desire for simplicity is a long held one, it was compounded this summer by Dr James Fox’s documentary series The Art of Japanese Life where Fox featured Sesshu’s ‘splashed-ink’ landscape (see below), dating back, unbelievably, to 1495.  Let me say that again, 1495!

I think this is a glorious painting. I see so much energy in it and I find it exquisite in composition and atmosphere. I’m also drawn to the simple black and white colour scheme (I would be though wouldn’t I?).

Sesshu's 'splashed-ink' landscape
Sesshu’s ‘splashed-ink’ landscape

It’s also coincided with me getting some brush pens (which I used to create my new header btw), so I’ve been playing around with them try to make simple, gestural images. I find minimalism and knowing when to stop more difficult than adding clever little details and additional descriptive strokes – it’s a real challenge for me. I’m using the work of Toko Shinoda as further inspiration as well as ancient Japanese brush painting of bamboo, birds and butterflies.

What do you think of this style of painting? Do you like those simple strokes? The black and white? Or do you need a little more colour and detail? I’d love to know.

Learning the art of Shibori

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It’s always great to learn new craft techniques – especially when they can be put to good use on home and fashion makes. I recently got to grips with the art of Shibori, an ancient Japanese dying technique, during a workshop at White House Arts in Cambridge.

Japanese printing

I went to the one-day workshop with my mum and my sister and we had a go at two Shibori dying methods; Arashi and Itajime.

Arashi shibori is also known as pole-wrapping shibori. You wrap your cloth around a pole (which looks like a large section of plastic industrial piping), then tightly bind it by wrapping a thin cord up and down the pole. Once the cord is secured, you scrunch the cloth up the pole and sink it into the dye. Arashi is the Japanese word for storm – and that’s a pretty accurate description of the kind of effect you get from this particular type of printing. As you can see above in the first picture in this post and in the photograph here:

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Itajime shibori is what is known as a shaped-resist technique. This means that an object is placed over the folded fabric (for example, a piece of wood) which be used to form a ‘resist’ that stops the dye making contact with the material. Because the fabric is folded (this can be done in many ways) the end result is a gorgeous geometric design that would look great on bedding and other homewares.

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